Everything you need to know about Bath's World Heritage status and World Heritage Day in 10 minutes

Heritage is our legacy from the past, which we consider important in the present, and what we want to pass along to future generations. World Heritage is a definition that is applied to places, buildings, or intangible objects that have been agreed upon as having an outstanding universal value. All over the world there are 962 sites that have the distinction of being a World Heritage site. Of those, only 28 sites are located in the UK.


So what does that mean? Of the 28 sites in the U.K., only a handful is important enough to protect an entire city, like the City of Bath.

For Bath, there are 6 main reasons why the city was made into a World Heritage Site in 1987. For more information visit Bath & North East Somerset Council World Heritage Site website

• Roman Archaeology- the Roman Baths and Temple thermal establishment.

• The Hot Springs- the only ones in Britain.

• Georgian Town Planning- its innovative and cohesive concept, harmonized with its green landscape setting.

• Georgian Architecture- neo-classical public buildings and set-piece developments such as terraces, crescents, squares and the Circus by Palladian-inspired Bath architects.

• The green setting of the City in the hollow of the hills.

• Georgian architecture reflecting 18th century social ambitions- its role as a destination for pilgrimage and the social aspirations of the fashionable spa culture that created the Georgian city.

It’s time to celebrate!

Thanks to the International Council on Monuments and Sites (ICOMOS) and the United Nations Educational, Scientific and Cultural Organization (UNESCO), every year on 18th April, World Heritage Sites celebrate the International World Heritage Day.

This year to make it convenient to join in, the City of Bath is celebrating World Heritage Day on Sunday 21 April 2013; with the focus on the Georgian era and its influence around the city.

Events of the day include:
• 18th Century re-enactments of Pulteney’s 13th Regiment of Foot

• Guided tours of the ‘upper town’ and its architecture

• Enjoy a chat with a Georgian Lady and her butler

• Children can play Georgian games, dress in 18th century style clothing and learn to dance a minuet

• Investigate objects from the 18th century in a traditional Georgian Garden

• Listen to lively music at the bandstand with the Bath City Jubilee Waits

For more info: world heritage day 2013
Every activity on World Heritage Day is free.     So come along and experience history!


Jenn

The Search for an English Pottery

This small fragment is one which was discovered in the yard of No. 4 the Circus, in Bath. It’s pretty exciting, because with a little archaeological detective work we can figure out what this piece once looked like, where it was from, the sort of person who may have owned it, and when it was made.

Even with the little detail,
we can discover a lot about a piece of pottery!

This fragment has a maker’s mark, also known as a backstamp. Potters put a lot of time and energy into making their designs, and so they wouldn’t want for anyone to be able to rip off their patterns. By registering and patenting their designs, they could be legally protected if anyone else tried to use it without their permission. The marks helped to show who owned the design and when it was registered. Staffordshire potters have marked their wares since at least the 1790’s. This has the name of the maker, a pattern name and a registration number – all of these give us information.

The Swinnertons were a company formed in 1906 based in Hanley, Stoke-On-Trent. In their peak they owned six factories – three of which were teapot factories. They sold pottery with the Swinnertons name on it for almost 60 years, aiming their goods at middle class households. Today, the company is part of the Doulton group – I’m sure you’ve heard of their figurines!

The registration number on this piece, 837606, lets us know when the pattern was first made. Each registration number is unique, and kept in files at the National Archives in Kew. The numbering system was started in 1884: with over 1500 potteries in Staffordshire alone, no wonder the numbers are long! This number would have been registered in 1940.

Now, what does the actual piece look like? Since this is just a base, I couldn’t tell you if it was a saucer, a plate, or a larger dish. There also seems to be TWO patterns selling online with the name ‘luxor vellum’ and the same registration number: a plain cream, and a floral pattern. Try searching for Swinnertons “luxor vellum” 837606 on the internet, and tell us in the comments which one you think this pattern is!

Want to look up your granny’s teacups and find out more about them? Thepotteries.org (run by an amateur historian in Stoke-On-Trent) has a table of what range of numbers were registered between 1884 and 1965. It’s a good place to start!

 
Barbara

Why don’t you take a Picture? It Lasts Longer.

And that’s exactly what I’ve done.

The Great Bath while Drained

Like many admirers of historical sites and landmarks, I’ve looked in awe at the images captured and presented in books, leaflets and posters, and wondered what it must be like to have actually been there and to have seen these things.

The chance to take photographs around the Roman Baths site was an exciting opportunity, and it came as quite a surprise when I learned I’d been visiting different museums and areas during my time here; even more so when I was asked to do it in a professional capacity, as their official photographer.

The Temple Pediment

From my first trial run around the Roman Baths, to the exhibits at the Ashmolean Museum in Oxford, to the displays at the Fry’s Club and Cadbury’s factory; I’ve loved the moments I’ve been able to walk away with more than just memories to take with me; now I have images captured, printed, and sealed in both my own photo album and in our latest events leaflets (most recently, a small collection of my photos of No. 4 the Circus).

Cadbury Chocolate Bar Display at the Fry's Club

For me, it’s a wonderful thought to know that your job can also be your hobby. In my previous blog I talked about the sketches I’ve done and how drawing was always a hobby and interest of mine before I started working here. It’s actually rather like that with photography as well. After all that time spent admiring the photographic works of others, now I’m actually there with a camera in my hand experiencing the same enjoyment and satisfactory feeling that they must’ve.

Back Garden of No. 4 the Circus
(used in the leaflet)

And who knows, years from now I may one day open a leaflet or look at a poster, and find myself looking at my own photographs. When my contract expires, I may be gone from this workplace, but I take great pride in the thought that in the time I’ve been here, I have made an impression, and left my mark.

 
James

Pottery Fragments Everywhere and Sometimes a Complete Bottle or Two

I’ve been spending a lot of time here at the Roman Baths down in the study room in the storage areas working on the collection material from No 4 The Circus. The material comes from an archaeological excavation that took place in the back garden at No 4 in 1986 that was done by the Bath Archaeological Trust.

I have been cataloguing and organising all the material and let me tell you, at times it felt like I was drowning in pottery fragments. I’ve experience this feeling before while working as an archaeologist, but it is always overwhelming; even more so when you have to sort and identify it.

Among the many pieces of broken pottery there were a few special finds. Some of them were pottery pieces that could be pieced together to create a more complete vessel, others were even more exciting. Among the many broken bits were two complete stoneware bottles. (Well, they have a few small chips, but for material from an archaeological dig that is pretty good!)

Two Small Stoneware Bottles from 4 Circus

Every year for Heritage Open Days No 4 the Circus is opened up to visitors. This year Joanna and I were in charge of events. The building is used throughout the year for Bath College’s fashion program. Although the inside has all the requirements for modern fashion students the building still maintains most of its original features.

Veiw of back door to 4 Circus from the back garden.

And although our event for Heritage Open Days has now long passed, I hope you will come and visit next year.

Did you visit No 4  The Circus this year or have you visited in the past? What did you think?


Katrina Elizabeth

A Picture is worth 1,000 Words

When I first started my Job as a Curatorial Apprentice at the Roman Baths, what I looked forward to the most was being introduced to new things and to learn new skills. What I never expected to happen was a skill that I already possessed to be put to use in this profession; Drawing.

Georgian Man for 4 Circus

During my earliest weeks of employment, my Artistic skills were only brought up during my original interview, and not until July was it put to use when I was asked to draw images needed for the Englishcombe Event.

Victorian Man for 4 Circus

Since then?

Now whenever we need illustrations for upcoming events, everyone in the office is looking at me. Although not the typical images I’m used to drawing, it’s been a fun and interesting experience to try sketching new things; Victorian Tiles, Medieval Peasants, and the Bath Token used as a watermarked image of a display on tokens now put up in the museum’s Sun Lounge. And that’s just naming a few.

Reconstructed Fortified Settlement

It gives me a mixed feeling of amazement and satisfaction to see my own drawings laid out on tourist display boards and information leaflets. Sometimes I look at them and think they look too professional to have been the pen doodles done by my hand.

Reconstructed Burial Mound

Needless to say, I got more than I bargained for during my time here; I’m not just a Curatorial Apprentice, but now a Resident Artist too. People looking for work can come to so many conclusions on whether their personal talents can find a place in different professions. If they have the same luck as me, they may be surprised.


James