Textile production was a major part of the ancient economy and clothing was used to give a visual message about the wearer’s rank, wealth and sometimes their profession. Despite the fact that textiles very rarely survive in archaeology, there are some artefacts which can at least tell us about how they were made
Hannah's handy diagram showing the basic stages of
textile production: collection of raw materials, spinning and weaving.
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Using this sophisticated diagram of my creation and a selection of spindle whorls and loom weights from the museum’s collection, my Tuesday Times Table explained how an item of Roman clothing would have been made. As an added treat (and my favourite object), I also brought out a replica warp-weighted loom to show how the weaving process worked. Weaving a piece of cloth on a loom like this was a very long and slow process, especially when making a Roman toga. They were made of a single piece of cloth which measured up to 6ft in width and 12ft in length. That’s a lot of weaving!
Hannah with her table |
As well as spinning and weaving
artefacts, I also showed some examples of natural dyes used in Roman Britain. The
most commonly used dyes were madder (red), yellow (weld) and woad (blue) and
these were relatively cheap. The most expensive dye of all was purple, knows as
Tyrian or Phoenician purple. It was so expensive because it was made from the
mucous of tiny Murex sea snails. 1000s of these snails were required to make
enough dye just to trim one garment! Because of this, purple was associated
with the emperors and is still associated with royalty today.
Dyes used in Roman Britain: madder (red), weld (yellow), woad (blue) and alkanet (lilac). Green could be made using a mixture of weld and woad. |
The most surprising thing about my
handling table for many visitors was the bright and varied colours of the dyes.
We often think of the Romans wearing only white togas, perhaps because colour from the ancient world has generally
not survived well. It is easy to forget that almost all of the pure white
marble statues and friezes we see in museums today would have once been painted
in bright colours, which would have more accurately shown what Roman clothing
looked like. In short, the Romans and their clothes were much more colourful
than we imagine!
Hannah
MA Placement student