Heads or Tales: Domitian

The hot springs at Bath were not just used for bathing by the Romans; they often threw objects into the Sacred Spring as offerings to the goddess. The most common of these offerings were coins, with nearly 13,000 having been recovered during excavation. These coins were deposited from the early years of the sanctuary through to the early fifth century at the end of the Roman province. The majority are small change, however there are a small number of silver coins and four gold coins. In today’s blog post, we are going to look at a coin produced during Domitian’s reign.

Dupondius of Domitian, obverse (l) and reverse (r)

Domitian, alongside Agricola, his governor of Britain, attempted to expand the Roman Empire as far as Caledonia (modern day Scotland) during his reign. Eventually, he recalled Agricola to Rome in 85 CE. In 87 and 88 CE, following a war with the Kingdom of Dacia (modern day Romania), Domitian ordered a withdrawal of troops from Caledonian forts. During his reign, he dramatically revalued the Roman currency by increasing the silver purity of the denarius.

Dupondius of Domitian, obverse

Obverse:

The front of the coin depicts Domitian, facing right and wearing a crown of spikes known as a radiate crown.

Inscription:

Imperator Caesar Domitian Augustus Germanicus Consul XIII Censor Perpetuus Pater Patriae.

The first four names refer to Domitian’s regnal name, used during his reign and thereafter. The title Germanicus was given to Domitian after his campaign against the Chatti, a Germanic tribe, in 83 CE. The consul was the highest office under the Republic. During the Empire, it was held by the emperor and his family members. Romans rarely served as Consul more than twice, but the emperor could serve as many times as he wanted; this coin was minted during Domitian’s eighth time as consul. Censor Perpetuus refers to Domitian’s title of “perpetual censor”, a Republican office which was originally held for five years. The censor was a magistrate responsible for regulating public morality and maintaining the census; his power was absolute. Successive emperors did not assume this title.

Dupondius of Domitian, reverse

Reverse:

On the back is Fortuna, the goddess of good fortune, facing left. She holds a cornucopia and rudder. With good fortune comes abundance, as represented by the cornucopia, and Fortuna also helps to steer future events with the rudder. Through Fortuna, Domitian presents himself and his reign as a period of abundance and good fortune.

Inscription:

Fortuna Augusti S.C.

Fortuna Augusti refers to Fortuna herself.

S.C.

This means Senatus Consultus and is commonly found on the reverse of bronze coins issued before the late 3^rd century CE. Unlike gold and silver coins which were issued under imperial authority, bronze coins were issues under the Senate’s authority.

Stay tuned to see if you can make heads or tails out of next week's coin!

Eleanor 

Collections Assistant 

Heads or Tales: Vespasian

The hot springs at Bath were not just used for bathing by the Romans; they often threw objects into the Sacred Spring as offerings to the goddess. The most common offerings were coins, with nearly 13,000 having been recovered during excavation. These coins were deposited from the early years of the sanctuary through to the early fifth century at the end of the Roman occupation. The majority are small change, however there are a small number of silver coins and four gold coins. In today’s blog post, we are going to look at a coin produced during Vespasian’s reign.

Dupondius of Vespasian, obverse (l) and reverse (r)

Before he was emperor, Vespasian had a successful military career and in 43 CE he was involved in the Roman invasion of Britain. Once emperor, Vespasian restored peace and stability after a year of civil wars and short-lived emperors. Within Britain, he further increased imperial expansion through his general Agricola.

Dupondius of Vespasian, obverse

Obverse:

The front of the coin depicts Vespasian in profile, facing right with a wreath of laurel leaves known as a laureate crown.

Inscription:

The inscription reads Imperator Caesar Vespasian Augustus Consul VIII Pater Patriae. The first four names refer to Vespasian’s regnal name, used during his reign and thereafter. The consul was the highest office under the Republic. During the Empire, it was held by the emperor and his family members. Romans rarely served as Consul more than twice, but the emperor could serve as many times as he wanted; this coin was minted during Vespasian’s eighth time as consul. Pater Patriae translates to “father of his country”.

Dupondius of Vespasian, reverse

Reverse:

The back shows Fides, goddess of trust and good faith, holding a cornucopia and patera. The cornucopia is a symbol of abundance and fecundity, and it shows that the emperor will provide for his people. The patera is a round, shallow dish, and was used in religious ceremonies for two reasons, either to receive the blood of sacrificial animals or to offer to the gods libations of wine. When the patera is held by a deity on a coin, it represents their divine honours.

Inscription:

Fides Publica

This is the name of the goddess.

S.C.

This means Senatus Consultus and is commonly found on the reverse of bronze coins issued before the late 3^rd century CE. Unlike gold and silver coins which were issued under imperial authority, bronze coins were issues under the Senate’s authority. 

The edge of this coin is cut on one side, and it is possible this was a deliberate act of mutilation of the coin. In cutting the coin, it can no longer be used as money and so it forever remains as a gift to the goddess. Coins like this are found across the empire, especially at temples and shrines.

Stay tuned to see if you can make heads or tails out of next week's coin!

Eleanor 

Collections Assistant

Heads or Tales: Nero

The hot springs at Bath were not just used for bathing by the Romans; they often threw objects into the Sacred Spring as offerings to the goddess. The most common offerings were coins, with nearly 13,000 having been recovered during excavation. These coins were deposited from the early years of the sanctuary through to the early fifth century at the end of the Roman occupation. The majority are small change, however there are a small number of silver coins and four gold coins. In today’s blog post, we are going to look at a coin produced during Nero's reign.

Dupondius of Nero, obverse (l) and reverse (r)

Nero’s reign of Britain was punctuated by the Boudican revolt of 60/61 CE. Boudica, queen of the Iceni tribe, led a rebellion against the Romans after they annexed the kingdom of her late husband, who had previously ruled as an independent ally of Rome. Her revolt resulted in the destruction of Camulodunum (modern day Colchester), and the burning of Londinium (London) and Verulamium (St Albans). The revolt led to Nero considering whether to withdraw imperial forces from Britain, but Boudica’s subsequent defeat reinstated Roman control within the province. 

Dupondius of Nero (obverse)

Obverse:

The front of the coin depicts Nero in profile, facing right and wearing a crown of spikes known as a radiate crown.

Inscription:

Nero Claudius Caesar Augustus Germanicus Tribuncia Potestate Imperator Pater Patriae.

The first five names refer to Nero’s regnal name, used during his reign and thereafter. Tribunicia Potestate translates to tribune of the people, and it was the representative of the people in the government. It is sometimes followed by a number to indicate which term as Tribune the emperor was serving, but not here. The rest translates to “emperor” and “father of his country”.

Dupondius of Nero (reverse)

Reverse:

On the back is the Macellum Magnum, and a male figure standing at the top of the steps holding a long sceptre.

A macellum is an indoor food market, often selling meat, fish and vegetables. The complex was situated on the Caelian Hill in Rome and was built and dedicated by Nero in 59 CE. The depiction of the Macellum Magnum is important for two reasons: Firstly, it records in great detail a monumental building which is now lost to us. Secondly, coins were used by emperors to disseminate their image throughout the Empire and the depiction of the Macellum Magnum demonstrates the building’s importance to Nero and promotes his public programs.

Inscription:

MAC AVG

This stands for Maceullum Augusti, which is another name for the Maceullum Magnum. This reinforces Nero’s dynastic connection to Emperor Augustus, the first Roman Emperor.

S.C. II.

This means Senatus Consultus and is a term commonly found on the reverse of bronze coins issued before the late 3^rd century CE. Unlike gold and silver coins, which were issued under imperial authority, bronze coins were issues under the Senate’s authority. 

Stay tuned to see if you can make heads or tails out of next week's coin!

Eleanor
Collections Assistant

A Story of Swords

Few objects from history summarise power and status better than the sword. Throughout the middle ages, swords would be expensive, reserved for the wealthiest members of society, and rare compared to how widely the media portrays them today. By the era we associate with the Anglo-Saxons and Vikings (the 9th to 11th centuries), the skill of sword-smithing had become a fine art, giving swords a near legendary reputation. This example is no exception.

The Viking sword from Bath

It was discovered in the 1980s, on its own, in a ditch outside Bath’s old city walls. It was allegedly still sharp upon discovery, a testament to the quality craftsmanship involved in making this weapon. The blade itself has a black patina which indicates an early method of protecting swords against corrosion, an issue anyone looking after a sword would have to deal with. 

Interestingly, there were small remains of leather and wood fused with the blade, including the scabbard it was buried in. Organic materials do not survive well in most climates, so this was a lucky find and can provide some indication of how scabbards were made in period.

The hilt of the sword; traces of the leather originally wrapped around the tang are still visible

One of the most striking features is the blade inscription. It may look like it has been lifted straight from the pages of Tolkien, but it is one of over a hundred and fifty such examples of inscribed blades from the 9th to 11th century. The most common inscription amongst this group of swords reads ‘the sword of Ulfberht’, which is why these swords are broadly referred to as Ulfberht swords. Other examples do exist, such as ‘the sword of Ingelrii’.  

Surely this is more than just a maker’s mark, perhaps becoming a workshop’s brand as the use of these inscriptions goes on for longer than any individual's lifetime. The runes on this particular blade do not seem to exactly spell ‘Ulfberht’, which could mean it is trying to mimic one of these prestigious blades, or it could just be a spelling error! It is unknown where they originate from, but one popular theory suggests the forge’s location was somewhere along the River Rhine in what is now Germany. To me, it represents how much value swords had in society. It gives a far more complex perspective of power, politics and artistic culture than many other objects from this period can.

Finlay

Placement Student

Roman Romance

What did the Romans know about love?

Venus took pride of place as the goddess of love, fertility, and marriage. One of her festivals, Veneralia, was held on April 1st and encouraged couples to respect ‘traditional’ values of romance. It was also a chance for people to ask for her help in granting love-related favours!

Denarius of Julia Domna depicting Venus on the reverse

Cupid is the next divine figure best linked with love in the Roman world. Cupid is likely the Romanised version of Eros, a key figure of Greek mythology. The fable of Cupid and Psyche is laced with the bizarre and fantastical; including Psyche receiving assistance from some ants that help her sort grain into piles during Venus’s trials to regain Cupid’s love. It shows no matter how weird, even amongst the gods love is never far from the Roman imagination.

Roman intaglio depicting Cupid, discovered at the Roman Baths

What did the real people of Rome say about love in their lives? 

The ‘ideal’ marriage occupied the hearts and minds of Romans in everyday life. Marriages were generally arranged by the paterfamilias (Father of the household). In upper-class society, marriage was commonly focused on alliance-forging, dowry exchange, or property gain, and romance is presented as an afterthought. It is easy to look at Roman marriages as cold, political, and calculated. Which, in fairness, is not wrong in some cases.

How reflective of wider Roman society is this? 

Whether it is the controversial Ovid, the amorous Catullus or the elusive Gallus, love poetry is a valuable insight into a far more general perspective of romance. Read them with a large pinch of salt because little is without agenda or exaggeration in Rome. These poems show love in all its colours, the good, the bad, and the peculiar. It is endearing to see that even two thousand years ago, love was still everything it is to us today.

Finlay
Placement student

Leading you through the History of Lead

Lead has been known to man since c.7000 BC in Western Asia and it was utilised by the Ancient Egyptians and Chinese. It is still prevalent in modern society. Despite its early discovery, it was not until the Roman period that lead truly became widespread. 

Amy leading you through the history of lead

‘Lead was to Romans what plastic is to us.’ (H.Eschnaver & M.Stoeppler, Wine – An Enological Specimen Bank, 1992)

This statement perfectly highlights the extensive and reliant use of lead by the Romans. It has a low melting point which creates an easy and cheap resource to utilise; it was desirable. In the written texts of the period and from archaeology we have distinguished that lead was used from plumbing to makeup and cookware – to name a few.

Roman pewter vessel discovered in the Spring

Surely the Romans didn’t know it was poisonous if they utilised it so much? Incredibly, they did know. Cato the Elder (3^rd-2^nd BC) recommended the use of lead lined/coated vessels for food preparation as well adding it to wine and food as a sweetener and preservative. It leaves a sweet taste because of the formation of ‘sugar of lead’. Even though Vitruvius (1^st BC) reported the dangers of lead, it was continually utilised. 

Roman curse tablet describing the theft of a bracelet

One of my favourite uses of lead at the Roman Baths, are the curse tablets. Many curse tablets have been recovered from the Sacred Spring. These were small sheets of lead with inscriptions of names or wrongdoings, offered to the goddess Sulis Minerva. The weight of the lead would guarantee the curse would sink down in the water to reach the goddess, and it was cheap enough for most people to buy.

Papal bulla of Pope Joh XXII

The popularity of lead continued into the Medieval period. Some of its uses were: window came fragments, paint and alchemy. Some continued uses were weights, piping, and drink sweetening. One of the most interesting artefacts found in the Bath area is a lead bulla, a seal made of metal that would have been attached to a Papal Bull. On one side are the images of Saints Peter and Paul, on the other is the Pope’s name, Pope John XXII.

We move into the Post-Medieval period through to the modern day. Uses ranged from game pieces to paint, sweetener, and gasoline. Lead was still very prevalent in the 1600s-1800s and many people recorded poisoning from repeated exposure.

Lead crystal glass (photo credit: Wikimedia Commons)

Lead was still utilised to make vessels, yet rather than for its sweetness, it was used to compose crystal glass. First used in the 1600s, this is a variety of glass where lead replaces the calcium. This process makes it easier to melt and improved the appearance with clarity and ease of decoration. Likewise, lead is often still used in the home through piping and paint, despite laws against such use in the 1970s.

Millenia after the Romans began to use it, lead is still considered practical despite its poisonous properties. How long will it endure?

Amy

Collections Volunteer

The Healing Waters of Bath

Caitlin presents the healing waters of Bath

The hot springs at Bath have long been considered to heal the sick. The Romans mainly used baths for leisure, but several writers, such as Pliny the Elder, Asclepiades and Celsus, talked about the therapeutic benefits.

In Britain, for about 1500 years the belief was that the hot water balanced the humours, which would make you healthy again. As the minerals gave it a dry taste and immersion made you urinate more, hot baths were considered hot/dry, which is odd, as you would think a hot bath would be hot/wet!

The four humours and their interactions

By the medieval period, the Church was against bathing, calling it a luxury. It considered the Roman baths to be immoral, so many baths fell into disrepair. Later, the Church condoned the use of bathing for healing/spiritual purification, and so in the 1100s the Kings Baths were built on the sacred spring by the Bishop of Bath at the time.

As the Baths became more and more popular, there were even some royal visitors such as King Charles I in the 1600s and Queen Anne in 1702 and 1703. By the Georgian period, people began to drink the water instead of bathing with the crowds. In 1706, the Pump Room was built for those who wished to drink the water, rather than bathe in it. Drinking the water became much more popular and trendier so the Pump Room was expanded in 1795.

Glass bottle for "NOTED BATH WATERS, 1894"

With more competition from other spa towns, like Tunbridge Wells and Leamington Spa, in Britain, new treatments were on offer at the Spa Treatment Centre in Bath, such as electrotherapy and needle douches. These new treatments boosted visitors, and by the 1890s, 100,000 people had visited the baths. It was also during this period that the remains of the Roman baths were revealed, although evidence of a Roman Bath house in the area had been known since 1755.

Spa treatment photographs. L: Man standing in needle douche; R: Man being lowered into the Hot Bath

The beginning of the 20^th century brought new treatment innovations with the discovery of radon and radiotherapy, which helped keep the Spa Treatment Centre visitors numbers high. However, after the Second World War, visitor numbers declined due to fewer people travelling for leisure, and in 1948, treatment centre was under the control of the NHS. Treatments soon were only available to those with a prescription, and then in 1978 the Bath treatment centres were shut after spa treatment therapy was dismissed by orthodox medicine.

Caitlin

Collections Volunteer

Ore-some Metalwork

The Roman Baths collection is full of amazing metalwork. In Roman and Iron Age Britain, lead, tin, copper and iron were mined and used for everything from tools to religious items.

Investigating an Iron Age coin at the Roman Baths

Imperial lead from the nearby Mendip Hills had several different uses at the Roman Baths. This malleable, waterproof metal was frequently used for plumbing — a word which actually comes from the Latin for lead: plumbum. Even now, the floor of the Great Bath is lined with Roman lead, which is still watertight after two thousand years!

The lead lining of the Great Bath

Lead could also be alloyed with tin (mined in Cornwall) to make pewter. Over 100 pewter curse tablets have been discovered at the Roman Baths, written and thrown into the Sacred Spring by victims of theft asking Sulis Minerva to punish the culprit. Pewter food and drink vessels were also tossed into the Spring as tribute for the goddess. Although these had a religious purpose, the Romans also stored wine in lead alloy vessels like these because it gave the wine a sweeter taste!

Roman pewter vessel discovered in the Spring

One of the curses is made from tin alone, and is an unusual circular shape. Perhaps it was once worn as a pendant before being thrown into the Spring, inscribed with a list of Celtic names.

Tin could also be alloyed with copper to make bronze. Copper was mined in Derbyshire and the Lake District. Since copper products are attractive and resistant to erosion, copper alloys were often used for delicate decorative items. My favourite example is the tiny bronze eagle figurine, once possibly attached to a vessel.

Copper alloy Roman eagle figurine 

Bronze and silver were used for coinage both before and after the Roman invasion of Britain. Iron Age coins were usually inscribed with pellets, crescents and lines, often making up the image of a head or triple-tailed horse. The Romans sometimes used orichalcum — an alloy of copper and zinc — in their coinage, too.

Iron Age coin showing stylised face on obverse and horse on reverse

Less attractive than copper, iron was used for more practical purposes. Iron ox shoes have been discovered in the farmlands north of Bath, and iron styluses were used for writing on wax tablets. Iron was mined in the wooded areas of the Forest of Dean and the Weald, where trees provided fuel for the charcoal smelting facilities.

Roman iron axe

Unfortunately, the acids and residues on our fingers cause metals to corrode, so they usually can’t be handled! However, we can still admire this ore-some metalwork from afar.

Ellie

Collections Volunteer

Baking Roman Bread

Learn about Roman bread with Laura!

“Two things only the people desire: bread, and the circus games.” Juvenal

Have you ever baked your own bread? Maybe. Ground your own flour by hand? Less likely. Why not use the current situation and improve your skills, learn something new and connect to the past. Bread has been a staple food in many parts around the globe for thousands of years. The same goes for the Romans who indeed seem to have been quite fond of bread, but how do we actually know this?

Not only do we have recipe books and letters about diets but also architectural remains of granaries and baker shops as well as environmental samples from archaeological excavations that can be analysed. 

While milling became more industrial when the Romans arrived in Britain – a large army and urban population needs to be fed – many households would grind their own flour to make their daily bread. Around Bath, we have found rotary hand querns that were used for that task. 

A Roman rotary quern

While this was more effective than pestle and mortar, it was still a strenuous hours-long task. No milling means no flour. No flour means no bread. And no bread could mean starvation.

Bread has been staple food for so long because it is a sufficient source of energy. Flour contains starch which is broken down by enzymes into glucose. During digestions this ultimately results in our bodies being fuelled up to do what we love to do. 

Baking Roman bread

Have you ever wondered what makes bread rise though? Essentially, glucose is transformed into carbon dioxide (gas) which, trapped in the gluten network, expands and causes the dough to rise. If you feel like experimenting a bit, fill a glass half full with some warm water, add a spoon of caster sugar and a spoon of yeast. Stir, wait and watch what happens in the next hour.

The Romans in fact made many different kinds of bread, leavened and unleavened. They seemed to have been very fond of spices as well. Coriander or poppy seeds were particularly popular with bread. A commonly used grain was spelt. 

Why not have a go with this recipe?

Make your own Roman bread at home

Spelt Bread Recipe

Ingredients

500g of spelt flour
300ml of warm water
7-10g of salt
~7g of quick action yeast

Method

1. Mix the dry ingredients in a mixing bowl, then add the water and knead the dough well for at least 5 minutes.
2. Cover the bowl and leave to rise in a warm place for 1-2 hours, until the dough has doubled in size.
3. Knead the dough thoroughly until smooth and leave to rise again.
4. Preheat the oven to 220°C (200°C Fan), flour a casserole or loaf pan (make sure it is fit for oven use!) and put the dough into it.
5. Bake in the oven for 40 – 50 minutes. (If baking in dish with a lid, leave the lid on for the first half, then remove for the second half).
6. The bread is ready when it sounds hollow. Leave to cool down before removing it from the dish.

You can vary this recipe by mixing in honey, olive oil, herbs, seeds, dried fruits or chopped nuts.

Bon Appetit!          

Laura Opel

Learning & Programmes Placement

An Alphabet of Objects: C is for Clay

In the Sun Lounge next to the Pump Room is a display called ‘A-Z’ showing objects from the Roman Baths’ vast collections. Now the display has changed from B for bottles to C… for clay!

Katarina installing the new display in the Sun Lounge

The theme ‘clay’ covers many millennia and areas, as its use has developed over time dependent on peoples’ changing needs. As I found out when creating the display, clay objects can be used as a gateway to many different stories about human progress!

Roman cheese press

The object on the second highest step, is a Roman cheese press. It is possible that cheese was first discovered by accident, when milk transported in sheep, goat or cow stomachs, curdled due to the presence of the rennet-enzyme in the stomachs. 

Over time, cheese production changed. In the beginning, the cheese was soft and would spoil rather quickly. However, by using a cheese press made from clay, it was possible to drain more liquid from the cheese. This produced a harder product that lasted longer.

Roman brick with a dog's paw print impressions

Yes, it is a brick placed on the second lowest step! In the Roman period, bricks were made by shaping the clay, leaving them to dry, and firing them at 1000 °C. However, this brick is also part of the story about dog domestication, as while the clay was drying a dog walked over it.

While this topic is widely debated, most scientists believe it happened around 20,000 to 40,000 years ago. How this happened is also a mystery. Some believe it was the result of a mutual need between hunters and wolves. Others believe that some wolves developed ‘cuter’ features over time, allowing them access to human food supplies.

C is for Clay, on display in the Sun Lounge at the Roman Baths and Pump Room

The most modern objects in this display are the clay pipes on the lowest step, dating from 1645 to 1900. Clay pipes were cheap and easy to produce but fragile, making them a common find in archaeological excavations. 

Due to rapidly changing fashions, clay pipes are easily dated by their style, shape and size. The pipes on display are placed chronologically, with the oldest at the top.

The A-Z display is free to see in the Sun Lounge during opening hours. Stay tuned for updates as we work our way through the alphabet!

Katarina
Volunteer, Collections department.

Miss Garraway's Lantern Slides

As part of my volunteering in the collections department, I was given the opportunity to write a blog about any artefact in the Roman Baths collection. Although I was initially overwhelmed by the choice of interesting objects, I soon came across an intriguing collection of 7 lantern slides featuring the palace of Versailles. 

Lantern slides are photos printed onto glass and projected using light. They have been around for hundreds of years, and before photography was discovered they were made by hand painting an image onto glass. These slides were donated to the Roman Baths in 1989 by a Miss Garraway.

Lantern slide of La salon de guerre at Versailles

 The photos were taken by a French photographer called Adolphe Braun, who used contemporary methods to market his pictures worldwide. Some of Braun’s Versailles lantern slides were taken in an area of the estate called Le Petit Trianon, like the photo of le temple d’amour (the love monument).

Le Petit Trianon was given to Marie Antoinette in 1774 when she married Louis XVI of France. It already included a small castle surrounded by gardens that Louis XV had been developing since the 1750s.

Lantern slide of le temple d'amour

Marie Antoinette dramatically changed the gardens of the Le Petit Trianon, commissioning the architect Richard Mique to redesign them to her taste. She was responsible for the addition of the Love monument as well as The Queen’s Hamlet, a small village of 10 buildings that included a working farm and dairy. It is widely believed that the Queen would amuse herself by pretending to be a farmer here, but really the Hamlet was used for hosting guests and educating the royal children. Unfortunately, there is not a photo of the Hamlet in Miss Garraway’s collection, although I did find a Braun photo of the Hamlet online.

Miss Garraway donated lots of items to the museum in 1989, including an Egyptian mud brick, a flint arrowhead and a total of 120 glass lantern slides. On a trip to the Record Office, we found that the collection had belonged to her father, who was headmaster at St. Saviour’s school.

A Bath Chronicle article about Mr Garraway, 1st November 1947

It is still unclear why these artefacts were in his possession. It is possible that he used these items in his school to help educate children. The fact that the photographer Braun was known for using contemporary methods to market his pictures worldwide does explain how the Garraways were able to access these photos.

Ella

Volunteer

Happy New Year!

2019 has been a busy year, with the Archway Project in full swing, new displays in the Sun Lounge, lots of wonderful events, and a huge update to our Collections Management database. Our amazing team of placements and volunteers helped to create over 3500 new records on the database, and 6400 were records altered or updated!

Imogen explains animal bones in archaeology

Imogen spent most of 2019 on a placement with the Collections team, all the way from Australia! She helped us to care for the collection, catalogue archives, and created a fantastic new display  of medieval objects in Keynsham Civic Centre.

Bournemouth PhD student Owen running a handling table by the Great Bath during the summer

We ran events on site throughout the summer, and out and about in Sydney Gardens, Batheaston and at both of our offsite stores. These events help to bring the hugely varied collections out of storage. From Roman death and burial to Victorian Spa equipment, we’re got it all!

Some of our wonderful volunteers investigating displays at St Fagans

To celebrate everyone’s hard work, we went on a brilliant trip to St Fagans National Museum of History in the summer to explore their open-air museum and see amazing archaeological finds.

Most of the time, however, you could find us in the office or in our stores, sorting boxes and cataloguing objects. Our work is never finished!

Typical scenes in store - sorting Staffordshire slipware sherds

In the Collections office we do tend to welcome Christmas and the new year with open arms as the holiday gives us some time to catch up on all the little things, so stay tuned and look out for our blog posts as we dust our way into 2020…

Dusting a model of the Roman Temple...just one of our many chores for the winter!

Zofia
Collections Assistant

Curious Coins from Batheaston

Recently, visited Batheaston to display a range of incredible objects from the local area. Of course, I chose my favourite subject – coins! We had several lovely Roman coins on display, from Emperor Domitian (77AD) to Emperor Gratian (367AD), but my two favourite coins found during excavations at the Batheaston Bypass aren’t Roman at all…

Visitors to Batheaston Scout Hut find out about the archaeology of the area

The first is what I think is one of the most beautiful coins in the collection. It is a sceat (a small silver coin) from the eighth century AD - just before the Viking invasion. It might have been minted in Denmark, or Frisia (now part of the Netherlands or Northern Germany), but there is a lot of ongoing debate about when and where these coins were made.

On one side, there is the bearded face of the Ancient German sky god called “Wodan”, related to the Norse god Odin. On the other there is a mythical monster, possibly a dragon!

The Woden/Monster sceat from Batheaston

The second is a European copy of an English silver penny, originally minted for Edward I (1288-1299). At the time, these were nicknamed “crockards”, which is a term of uncertain origin. There is also a medieval Latin word crocardus which is translated as “bad money”, but this may have been derived from the English term and not the other way round.

At the time, the English silver penny was famous throughout Europe for its quality and purity. European merchants would trade their goods to the English for the coins. Then they would melt down the coins, mix the silver with some cheaper metal, and mint more coins for themselves. By making the coins look like the English pennies, they could then pretend that the coins were just as high in value as the originals.

However, the crockards weren’t considered “counterfeit”, because they were not identical to the English pennies. The names of the European moneyers were on the coins, and instead of the royal crown, Edward I is wearing a “chaplet of roses” – or a flower crown!

A 'crockard' from Batheaston - with Edward I in a flower crown!

Our coin was minted by John, Duke of Brabant (part of Belgium), who was Edward I’s son-in-law.  

At first, Edward tried to use crockards as currency, saying that they were worth half a penny instead of a full penny, but this was confusing, and soon he decided that all the crockards should be destroyed instead. This makes our coin very special!

Emily
Collections Volunteer

An Alphabet of Objects: B is for Bottles

When you visit the Roman Baths and walk through the Pump Room, you will come to a small room on the other side called the Sun Lounge. Here, our A-Z display has now changed from A…to B!

Installing the new Alphabet display

Created by our volunteer Jack, the display showcases beautiful bottles through time. Over the summer, Michela did a lot of research into the marvellous Victorian bottles in the collection and found that every bottle has got a story to tell:

Glass Codd-neck bottle

This is known as a Codd-neck bottle because it was invented in 1872 by a British engineer called Hiram Codd. He designed and patented a bottle specifically invented for carbonated drinks. In fact, the Codd-neck bottle has a unique closing design based on a glass marble that is forced against the washer by the pressure of the gas contained in the beverage. 

To open a Codd-neck bottle it is necessary to push the marble down and let the gas spill out. These bottles also have a special chamber to prevent the marble from blocking the neck when pouring the drink. This clever bottle design is still used in Japan for carbonated beverages. This bottle was produced in Newport (South Wales) but the drink that was inside was product by a soda-lemonade factory called Brooke & Co. that was founded in Bath (5 Walcot Street) in 1846.

Glass 'torpedo' bottle

This ‘torpedo’ bottle was introduced in 1814 to preserve the pressure of the bottle. This shape does not allow you to keep the bottle standing up, only lying down! In this way, the liquid keeps the cork covered, preventing it from becoming dry and avoiding the loss of bottle pressure. This particular example contained a carbonate drink produced in Bath by a factory called R. B. Cater & Co. that had a phoenix as trade mark. Can you spot the phoenix on the side?

Medicine bottle containing 'Kay's Linseed Compound'

This medicine bottle contained a preparation of chloroform and morphine that was sold as remedy for coughs, colds, bronchitis, influenza and asthma. This medicine was produced in Stockport by a factory called Kay Brothers Ltd. that was probably founded in 1867. On the 5^th of December 1908, The British Medical Journal examined the contents of Kay’s Linseed Compound (page 1698). Reading the contents, it’s not surprising that it isn’t found in pharmacies today!

Extract from the British Medical Journal 1908

The A-Z display is free to see in the Sun Lounge during opening hours. Stay tuned for updates as we work our way through the alphabet!

Michela Amato
Collections Placement